Gender and Migration - - ebook

Postcolonialism and migration are major themes in contemporary French comics and have roots in the Algerian War (1954-62), antiracist struggle, and mass migration to France. This volume studies comics from the end of the formal dismantling of French colonial empire in 1962 up to the present. French cartoonists of ethnic-minority and immigrant heritage are a major focus, including Zeina Abirached (Lebanon), Yvan Alagbé (Benin), Baru (Italy), Enki Bilal (former Yugoslavia), Farid Boudjellal (Algeria and Armenia), José Jover (Spain), Larbi Mechkour (Algeria), and Roland Monpierre (Guadeloupe). The author analyzes comics representing a gamut of perspectives on immigration and postcolonial ethnic minorities, ranging from staunch defense to violent rejection. Individual chapters are dedicated to specific artists, artistic collectives, comics, or themes, including avant-gardism, undocumented migrants in comics, and racism in far-right comics.

First volume in the new series CeMIS Migration and Intercultural Studies Moroccans are one of the largest and most debated migrant groups in Belgium. Moroccan Migration in Belgium analyses diverse facets of this community from a multidisciplinary perspective and addresses the most relevant and some underexposed topics in the rapidly developing field of migration studies. Combining various academic disciplines and different research methods, the book offers a panoramic introspection into the dynamic nature of migration studies in general and Moroccan studies in particular. The contributions of established academics and young researchers will not only appeal to scientific peers working on this domain, but also to teachers, social workers, policy advisors and other interested people who work from close or afar with this minority group. Contributors Chaïma Ahaddour (KU Leuven), Goedele Baeke (KU Leuven), Anna Berbers (University of Amsterdam), Bert Broeckaert (KU Leuven), Frank Caestecker …

Love Migration is een gezongen zelfportret. Het beschrijft de strijd van een immigrante in Nederland en haar zoektocht naar ‘a feeling of home’. Gescheiden van zowel haar oude vaderland Israël als haar nieuwe liefde, bezingt Noam de veranderingen die ze meemaakt en doorleeft op betoverende en openhartige wijze.

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Case studies upon the use of concepts like feminization and masculinization in relation to christianity. Since the 1970s the feminization thesis has become a powerful trope in the rewriting of the social history of Christendom. However, this 'thesis' has triggered some vehement debates, given that men have continued to dominate the churches, and the churches themselves have reacted to the association of religion and femininity, often formulated by their critics, by explicitly focusing their appeal to men. In this book the authors critically reflect upon the use of concepts like feminization and masculinization in relation to Christianity. By presenting case studies that adopt different gendered approaches with regard to Christian, mainly Catholic discourses and practices, the authors capture multiple 'feminizations' and 'masculinizations' in Europe during the 19th and 20th centuries. In particular, it becomes clear that the idea that Christianity took on 'charicteristically feminine' v…

Gender, Space, and Experience at the Renaissance Court investigates the dynamic relationships between gender and architectural space in Renaissance Italy. It examines the ceremonial use and artistic reception of the Palazzo Te from the arrival of the Holy Roman Emperor Charles V in 1530 to the Sack of Mantua in 1630. This book further proposes that we conceptualise the built environment as a performative space, a space formed by the gendered relationships and actors of its time, asserting that the Palazzo Te was constituted by the gendered behaviors of sixteenth-century courtiers, but it was not simply a passive receptor of gender performance. Through its multivalent form and ceremonial function, Maria F. Maurer argues that the palace was an active participant in the construction and perception of femininity and masculinity in the early modern court.