Elementary and Grammar Education in Late Medieval France - Sarah B. Lynch - ebook

A narrative of decline punctuated by periods of renewal has long structured perceptions of Rome's late antique and medieval history. In their probing contributions to this volume, a multi-disciplinary group of scholars provides alternative approaches to understanding the period. Addressing developments in governance, ceremony, literature, art, music, clerical education and the city's very sense of its own identity, the essays examine how a variety of actors, from poets to popes, addressed the intermittent crises and shifting dynamics of these centuries with creative solutions that bolstered the city's resilience. Without denying that the past (both pre-Christian and Christian) always remained a powerful touchstone, the studies in this volume offer rich new insights into the myriad ways that Rome and Romans, between the fifth and the eleventh centuries, creatively assimilated the past in order to shape the future.

Manuscripts constitute the source material par excellence for diverse academic disciplines. Art historians, philologists, historians, theologians, philosophers, book historians and even jurists encounter one another around the codex. The fact that such an encounter can be extremely fertile was demonstrated, during an international congress in Brussels on November 5-9, 2002. A record of the discussions can be found in this volume of the Mediaevalia Lovaniensia. The editors selected those lectures that focused on the historical, literary-historical, philosophical and theological aspects of the congress theme as opposed to those with an explicit art-historical perspective. The common thread, however, is always the codicological aspect: what can the study of manuscripts contribute to the literary-historical interpretation or the insight into the functioning of a text in its original context. The various contributions testify to a fearless and unrestrained interdisciplinary approach to the …

Commemorating John Moorman's immense contribution to Franciscan history across five decades, the essays in this collection reflect upon Moorman's diverse writings on biography, hagiography, history, art, and prosopography. Contributors draw upon Moorman's diaries and his materials for a biographical register of the Franciscans in medieval England. The volume is in tune with recent developments in Franciscan history in general, with a special interest in the English province. This is exemplified by studies on Franciscan iconography; the English province's impact of the wider order; the scholastic enterprise; prosopography; economy; sermons; the application of Canon Law to the debates at the papal court; and the evolution of John Moorman's studies on St Francis and his followers.

This ground-breaking book brings theoretical perspectives from twenty-first century media, film, and cultural studies to medieval hagiography. Medieval Saints and Modern Screens stakes the claim for a provocative new methodological intervention: consideration of hagiography as media. More precisely, hagiography is most productively understood as cinematic media. Medieval mystical episodes are made intelligible to modern audiences through reference to the filmic - the language, form, and lived experience of cinema. Similarly, reference to the realm of the mystical affords a means to express the disconcerting physical and emotional effects of watching cinema. Moreover, cinematic spectatorship affords, at times, a (more or less) secular experience of visionary transcendence: an 'agape-ic encounter'. The medieval saint's visions of God are but one pole of a spectrum of visual experience which extends into our present multi-media moment. We too conjure godly visions: on our smartphones, on …

Representations of shapeshifters are prominent in medieval culture and they are particularly abundant in the vernacular literatures of the societies around the North Sea. Some of the figures in these stories remain well known in later folklore and often even in modern media, such as werewolves, dragons, berserkir and bird-maidens. Incorporating studies about Old English, Norse, Latin, Irish, and Welsh literature, this collection of essays marks an important new contribution to the study of medieval shapeshifters. Each essay highlights how shapeshifting cannot be studied in isolation, but intersects with many other topics, such as the supernatural, monstrosity, animality, gender and identity. Contributors to Shapeshifters in Medieval North Atlantic Literature come from different intellectual traditions, embracing a multidisciplinary approach combining influences from literary criticism, history, philology, and anthropology.