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Dutch Post-war Fiction Film through a Lens of Psychoanalysis - Peter Verstraten - eBook (9789048551729)

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Dutch Post-war Fiction Film through a Lens of Psychoanalysis is a sequel to Humour and Irony in Dutch Post-war Fiction Film (AUP, 2016), but the two studies can be read separately. Because of the sheer variety of Fons Rademakers's oeuvre, which spans 'art' cinema and cult, genre film and historical epics, each chapter will start with one of his tit...

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Dutch Post-war Fiction Film through a Lens of Psychoanalysis - Peter Verstraten - eBook (9789048551729)
Dutch Post-war Fiction Film through a Lens of Psychoanalysis - Peter Verstraten - eBook (9789048551729)
Dutch Post-war Fiction Film through a Lens of Psychoanalysis is a sequel to Humour and Irony in Dutch Post-war Fiction Film (AUP, 2016), but the two studies can be read separately. Because of the sheer variety of Fons Rademakers's oeuvre, which spans 'art' cinema and cult, genre film and historical epics, each chapter will start with one of his titles to introduce a key concept from psychoanalysis. It is an oft-voiced claim that Dutch cinema strongly adheres to realism, but psychoanalytic theories on desire and fantasy are employed to put this idea into perspective. In the vein of cinephilia, this study brings together canonical titles (ALS TWEE DRUPPELS WATER; SOLDAAT VAN ORANJE) and little gems (MONSIEUR HAWARDEN; KRACHT). It juxtaposes among others GLUCKAUF and DE VLIEGENDE HOLLANDER (on father figures); FLANAGAN and SPOORLOOS (on rabbles and heroes); DE AANSLAG and LEEDVERMAAK (on historical traumas); ANTONIA and BLUEBIRD (on aphanisis).
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Images of occupation in Dutch film - Wendy Burke - eBook (9789048527090)
Images of occupation in Dutch film - Wendy Burke - eBook (9789048527090)
Images of Occupation in Dutch Film is the first book in English to examine changing representations of the German wartime occupation of the Netherlands within Dutch post-war feature films made in the period 1962 to 1986. This important new study explores in detail the complex, evolving role played by film within Dutch cultural memory and asks to what extent film can fully embrace, transmit or assimilate the complexities and collective legacies of war and occupation. As Dutch public opinion towards the war altered over the post-war decades - attitudes to the 1940-1945 occupation, Jewish persecution, the enemy, deprivations, resistance and collaboration - so too shifted the presence - or indeed absence - of these elements in subsequent films. The historical trajectory of Dutch recovery and reconstruction: politically, economically and - most complex of all - psychologically, came to be revealed, often unconsciously, in the films from that time. Through detailed analyses of eight key film…
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Theorizing Film Through Contemporary Art - eBook (9789048542024)
Theorizing Film Through Contemporary Art - eBook (9789048542024)
As the cinematic experience becomes subsumed into ubiquitous technologies of seeing, contemporary artworks lift the cinematic from the immateriality of the film screen, separating it into its physical components within the gallery space. How do film theorists read these reformulations of the cinematic medium and their critique of what it is and has been? Theorizing Cinema through Contemporary Art: Expanding Cinema considers artworks that incorporate, restage, and re-present cinema's configurations of space, experience, presence/absence, production and consumption, technology, myth, perception, event, and temporality, thereby addressing the creation, appraisal, and evolution of film theory as channeled through contemporary art. Taking film theory as a blueprint for the moving image, and juxtaposing it with artworks that render cinema as a material object, this book unfolds a complex relationship between a theory and a practice that have often been seen as virtually incompatible, heighte…
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French as language of intimacy in the modern age - eBook (9789048529988)
French as language of intimacy in the modern age - eBook (9789048529988)
This book places francophonie in a historical perspective, a relatively new concept, and studies it in a large geographical area with a number of as yet undocumented cases. In the 16th and 17th centuries, French was the language of the Huguenots, as well as the vehicle for international commercial and diplomatic relations, the language of the Republic of Letters, and widely used in the dissemination of learning. In the Gallicized Europe of the 18th century and throughout the Continent in the 19th century, French became a fashionable medium of expression. In countries such as The Netherlands, Russia, Romania, Italy, Egypt and Turkey, French was not only the principal language for international contacts, but was also widely used within the upper classes for personal correspondence, diaries, travel journals and memoirs. The use of French outside France has mainly been studied as to its role in public life. This book is innovative in that it concentrates on the use of French in private lif…
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Dutch Post-war Fiction Film through a Lens of Psychoanalysis is a sequel to Humour and Irony in Dutch Post-war Fiction Film (AUP, 2016), but the two studies can be read separately. Because of the sheer variety of Fons Rademakers's oeuvre, which spans 'art' cinema and cult, genre film and historical epics, each chapter will start with one of his titles to introduce a key concept from psychoanalysis. It is an oft-voiced claim that Dutch cinema strongly adheres to realism, but psychoanalytic theories on desire and fantasy are employed to put this idea into perspective. In the vein of cinephilia, this study brings together canonical titles (ALS TWEE DRUPPELS WATER; SOLDAAT VAN ORANJE) and little gems (MONSIEUR HAWARDEN; KRACHT). It juxtaposes among others GLUCKAUF and DE VLIEGENDE HOLLANDER (on father figures); FLANAGAN and SPOORLOOS (on rabbles and heroes); DE AANSLAG and LEEDVERMAAK (on historical traumas); ANTONIA and BLUEBIRD (on aphanisis).

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